Conversation with Carlos Castro Arias, Daniel Ramos, and Milagros de la Torre, Artpace, San Antonio, TX

Monica Espinel is an independent curator and writer based in New York. She is the recipient of a Roswell L. Gilpatric Award to work in the department of Photographs at The Metropolitan Museum of Art (2011), a Milton & Sally Avery Arts Foundation Curatorial Fellowship at the Bronx Museum of the Arts (2010) and ArtTable’s Mentorship Grant to be a curatorial fellow at Wave Hill (2009). She has published reviews in ArtNexus, Arte al Dia, Artforum.com and Flash Art. She has held positions at Marvelli Gallery, Wildenstein & Co., and Frederico Sève/Latincollector.
Conversation with Carlos Castro Arias, Daniel Ramos, and Milagros de la Torre, Artpace, San Antonio, TX
The discussion, moderated by Susanna Temkin, Curator, El Museo del Barrio, featured Tony Bechara, artist and long-time friend of Herrera’s; Carolina Ponce de Leon, independent curator who formerly worked at El Museo del Barrio where she organized the exhibition ‘Carmen Herrera: The Black and White Paintings, 1951-1989’ in 1998; and Monica Espinel, independent curator and […]
In Spring 2020, Artpace San Antonio will present solo exhibitions by Carlos Castro Arias, Milagros de la Torre, and Daniel Ramos.
60 Wall Gallery, Deutsche BankFebruary 12 – May 14, 2018 Hybrid Topographies presents contemporary artists from Latin America who share an engagement with the landscape, whether urban or rural. The works on view weave a multiplicity of narratives that stem from a place of encounters as a means to understand the other and as potential […]
Henrique Faria, New York, February 16 – March 25, 2017 Press Release
Whitney Museum of American ArtSeptember 16, 2016 – January 9, 2017 Carmen Herrera’s chronology for the Lines of Sight exhibition.
“Maurício Ianês.” ArtNexus, 95, Vol. 13 (December 2014-February 2015): 126-127.
Galeria Emma Thomas, São Paulo, October 11 – November 13, 2014 Bruno Miguel delves into the material and conceptual issues of painting through an innovative use of non-traditional materials that include resin, found objects, wood, studio leftovers and Companhia das Indias tableware from a vast collection acquired in antique stores or at auction. “Todos à […]